讲述了伟大领袖穆斯塔法·凯末尔·阿塔图尔克的一生。

Mustafa Kemal had just begun his journey after proving himself in 1915 at the Gallipoli front. He would go on to face major battles on the eastern front against the Russians and later against the British in Syria, ultimately becoming the only Ottoman officer not to lose a battle during WW1.

Mustafa Kemal had just begun his journey after proving himself in 1915 at the Gallipoli front. He would go on to face major battles on the eastern front against the Russians and later against the British in Syria, ultimately becoming the only Ottoman officer not to lose a battle during WW1.

Graduated from the military school as an idealist patriot, Mustafa Kemal is an officer in the Ottoman army who wears his uniform with pride. He comes to realise that the Ottoman Empire is slowly rotting.

首先，在Selanico童年开始的友谊变成战友，然后一个半世纪的兄弟情谊和友爱，直到共和国宣布死亡后同样的理想。它是如此巨大的兄弟情谊，当一个人去世后，其他衷心祝愿相同。 　　一个具有挑战性的一代死亡的故事！电影不仅是关于阿塔图尔克生活;相反，它是一个火炬，点燃一个特定的时期，它是非常人性化，它也分析的兄弟情谊，战争，爱情和亲情。 “吠陀”是一个兄弟的故事，在阿塔图尔克的生活写照里程碑和指挥员的指挥一代，挑战死亡，拯救家园的故事。萨利赫Bozok，头号证人的时间，讲述这个故事。

百余年前的金宝市镇，土霸与良民在物兢天择的环境下，出现正义与邪恶的现实层面，发生血泪与理想的复杂故事。当中，整个画面镜头下，所产生的还有两个情感世界，一段不可能的爱情…… 　　良民起义反抗土霸 　　话说，当南洋独霸一方的“天龙会”因自身的利益，切断了开采锡米的双溪榴槤村落地方水源，使到以水力作开采锡米的金山沟劳苦华侨民众，面对断粮厄运。斯时，一批不满“天龙会”所作所作的热血汉子，登高一呼，带领受逼害的群众起义。除与“天龙会”对话，也展开了一场正义之战。 　　演员介绍: 　　这出戏由5位本地武打新人以及两位靓女主角担纲演出，5位武打小生，包括两届世界赛冠军何诺槟、7届全国冠军李绍杰、2004年世界精武嘉年华会6金1银得主管辉骏、2004年世界精武嘉年华会6金2银得主陈逸豪、来自中国，2006年10月世界太极拳大赛金牌暴垠宏。

百余年前的金宝市镇，土霸与良民在物兢天择的环境下，出现正义与邪恶的现实层面，发生血泪与理想的复杂故事。当中，整个画面镜头下，所产生的还有两个情感世界，一段不可能的爱情…… 　　良民起义反抗土霸 　　话说，当南洋独霸一方的“天龙会”因自身的利益，切断了开采锡米的双溪榴槤村落地方水源，使到以水力作开采锡米的金山沟劳苦华侨民众，面对断粮厄运。斯时，一批不满“天龙会”所作所作的热血汉子，登高一呼，带领受逼害的群众起义。除与“天龙会”对话，也展开了一场正义之战。 　　演员介绍: 　　这出戏由5位本地武打新人以及两位靓女主角担纲演出，5位武打小生，包括两届世界赛冠军何诺槟、7届全国冠军李绍杰、2004年世界精武嘉年华会6金1银得主管辉骏、2004年世界精武嘉年华会6金2银得主陈逸豪、来自中国，2006年10月世界太极拳大赛金牌暴垠宏。

Maria Schell (Sophie) and Paul Scofield (Alexander) turn in magnificent performances as former patients of Freud who meet for the first time in Vienna in 1970. Sophie convinces a wary Alexander to meet after she sees him interviewed on TV about his experience with Freud. In their one-day encounter, in a reluctant Alexander's cluttered apartment, the two sit down to talk. 　　Sophie is now a divorced New Yorker of nearly 70, Alexander is a lonely widower; both still harbor resentment of Freud's treatment of their youthful "problems." Their personal narratives, shown in flashback, are poignant; Freud is an unseen but vivid presence in the therapy scences.